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免费手机影视在线看最火影视 https://www.shoujiys.org 结构的维度|锐驰2022上海国际家具博览会 主办方：第50届中国（上海）国际家具博览会 展位：上海虹桥·国家会展中心-4.1馆，A16 展期：2022年9月5日至9月8日 TheStructuralField|CAMERICHExhibitionShanghaiCIFF Organizer:The50thChina(Shanghai)InternationalFurnitureFair Location:Hongqiao,ShanghaiNationalConvention&ExhibitionCenter-4.1,A16 Duration:September5th-8th,2022 结构的维度 TheconceptfortheCAMERICHpavilionstemsfromworkingthroughanumberofdualities:nature/artifice,chaos/sanctuary,objects/theviewer,andtradition/innovation. 空间设计理念始于如恩对二元论的思考。自然与人工、混沌与圣所、物件与观者，传统与创新……这些元素看似对立，实则相互依存。通过梳理、交合看似相悖的元素，如恩从潜在的冲突中汲取张力，并试图寻找到和谐的共存方式。 Respondingtothebrand'sinvitationtorethinkexhibitiondesignwithinthecontextofinternationalfurniturefairs,Neri&HuexploresthepossibilitiesofcreatingaStructuralField,asawaynotnecessarilytoarriveataharmonioussynthesis,butperhapstoholdtheseseemingcontradictionsinsuspensionforthedurationofthistemporaryinstallation. 竹子作为一种储量丰富、生长迅速的可再生材料，自古以来在世界许多地区都被视为绝佳的建筑材料之一。天然的竹子表皮散布斑点与纹路，截面呈椭圆状，竹节有大有小，透露着自然生长的痕迹。而现代技术又拓宽了竹子在建筑领域的应用范围。 Thechoiceofbamboointersectsthesesetsofdualities.Asanabundant,fastgrowing,renewablenaturalmaterial,bambooinAsiaandmanypartsoftheworldisalsooneoftheoldestbuildingmaterials.Althoughmoderntechnologyhasexpandedtheconstructionapplicationofbamboo,thelignifiedfibrousstalks,withitsjointsandorganicprofile,oftenretainmarksofnaturalgrowth. 如恩从竹子中汲取灵感，将展陈空间打造成一座竹林。一千多个竹结构规律地排列成矩阵，抽象而理性，犹如缜密的数学演算，区隔了内外空间。观者进入竹林，步道所及之处，层层叠叠，密实交错。 Inthepaviliondesign,Neri&Husetsover1,000verticalbamboomembersonaregulargridtoalludetoasenseoftheexterior.Throughasmallentry,visitorsareinvitedtobeginajourneythroughaseriesofframedviews,andintermittentlayeringofbambooandspacesbeyond. 竹林的密度不断变化，观者与家具之间的关系亦不断转换。如恩将休息室、客厅、起居室等日常生活场景融入行进步道中，而非将家具安置在传统的展台上或者展示空间中。 Withinthevaryingdensityinthefield,therelationshipbetweenobjectsandspectatorisconstantlyshifting.Astheexhibitiondidnotprovidepedestalsorspecialdisplaymechanismsforthefurniturepieces,scenesofeverydaylife–smallsittingareas,thelivingroom,thebedroom,contemplationniches,etc.–arefullyintegratedwithinthepathoftheviewer. 时而，步道狭窄蜿蜒，观者可远观前方的家具。时而，步道开放宽阔，观者融入了日常的家庭场景。 Attimes,thenarrowandwindingwalkwaygivesthevieweraglimpseofthevignettesahead,maintainingadistancebetweenthespectatorandtheobjects.Inthepublicareaswherethefieldopensup,thevisitingspectatorbecomesembeddedaspartofthedomesticscene,fullyoccupyingthesettingwherethepresenceoffurnitureencouragesuserinteraction. 观者从旁观者转变到场景主人公，沉浸于竹林的维度之中，亦沉浸在自己想象的生活舞台中。 Inotherwords,"athome"withtheobjects,thespectatortakesontheroleofaparticipant,ondisplayaspartoftheexhibition.Thetransformationfromtheroleofa"spectator"toa"character"onviewandback,allowsthevisitortobeimmersednotonlyinthephenomenonofthefield,butalsoinone'sprojectedspaces,astageforlife. 作为临时空间，竹林组装灵活，可因地制宜延展出不同的可能性。特别设计的竹结构及连接部件可满足于短时内组装、拆卸的需求。 Asatemporarystructure,theStructuralFieldisalsoportableandscalable.Inordertobringthepaviliontootherinternationalfairsites,specialconnectiondetailsandmodularunittypesweredesigned. 嵌入式钢板、竹构件的燕尾榫，以及挠度和细长比的整体结构设计，打破了临时空间的传统设计理念。 Inadditiontomeetingtherequirementsofassemblinganddisassemblinginamatterofdays,theparticularsettingofexhibitingworld-classfurnitureanddesignalsoinspiredustopushtheenvelopeofbuildingcraftsmanshipandtechnology. 而竹子的温和气质与家具的自然沉静相得益彰，阐释了锐驰对于家与自然和谐共生的美好向往。竹在中国传统文化中拥有深厚的历史底蕴。展厅内简练的空间语言与构造细节则为其增添现代注脚，引发观者对于传统与创新这组二元关系的探讨。 Embeddedsteelplates,singledirectiondovetailingofbamboomembers,andtheoverallstructuraldesignfordeflectionandslenderratioaresomeofthewayswehopetoexceedtheconventionalformalexpectationsofatemporarybamboostructure.
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